“Conjured up over the New Year and inspired by some natural shell forms that arrested my attention, later identified as the Aztec deity Quatzalcoatle or, to the ancient Mayan, Kukulkan.
Just in time for the Chinese New Year: 2025, the Year of the Snake. 🐍
All the best for this quarter century!”
– Nick Eames, Sculptor
‘Serpent’ photographed from the side, in silhouette against a white-lit backdrop.
‘Serpent’ photographed from the front, in silhouette against a white-lit backdrop.
‘Serpent’ photographed from the front, illuminated against a black backdrop.
‘Serpent’ photographed from the side, illuminated against a black backdrop.
Back to back In the face of attack We take the blows The stones you throw The insults to our face Still standing strong Speaking for those Who conflict has misplaced Side by side We don’t stand alone For the children who’ve died Or still don’t have a home Though we may bruise And we may bleed We choose The hungry mouths to feed We need no weapons To serve as soldiers Only words to reflect on Both shoulder to shoulder We may seem small And the risks are grave Through them all We stand tall There are children to save.
This is the 1:3 maguette of the sculpture ‘Desert Bloom,’ which Nick wishes to build full scale in the landscape – currently in progress at the Barn Studio.
Derived from the forms in a conch shell, Nick is filling out the structure of the original small wire maguette shown here:
Whilst installing ‘The Sisters’ in Ellesmere last June, Nick had this idea for a memorial to mark the impact of the Covid 19 pandemic. This is the mockup that we produced of his initial idea, ‘The Oracle,’ set against the beautiful backdrop of Ellesmere. He is now looking for a suitable site for this powerful piece.
At the time, Nick made this statement: “In the six years of the Second World War, the UK lost some 60,000 civilians to the conflict. We have lost the same number in 3 months, to this devastating virus.” Today, one year on, the total deaths in the UK have surpassed 152,000.
“After both world wars there was a need for memorials in almost every town and village, and I feel there’s a need for a place of focus and contemplation: As a response to the premature and unexpected loss of so many lives.”