With the recent ‘Wolf Moon’ on the night of the 17th of January, these two mockups mark Nick’s tribute to this new beginning: ‘Reach’ holding the Wolf Moon in its palms, and ‘Howl,’ well, doing exactly what it says on the tin…
‘The Gull,’ constructed in steel and wire mesh, has been transported to Plas Newydd Tea Gardens, where it will soon be completed in situ as part of the upcoming ‘5 Senses Collective’ Exhibition (held on the weekends of the 4th/5th and 25th/26thof September, 2021, as part of the Clwydian Creatives Art Trail – click here for their Facebook page).
Visitors to the Tea Gardens will be able to observe Nick working on ‘The Gull’ in its final stages. The piece will be permanently installed at Plas Newydd in late autumn, once the garden plants die back, and before the arrival of the Shepherd’s Hut.
The slideshow below shows Nick, James, and Lucy Eames preparing and transporting the gull, together with Studio Assistant Ewan Stell, James Bigglestone, and Luke Griffiths.
The ‘5 Senses Collective’ combines a variety of different media, curated together in one beautiful space – set against the stunning backdrop of Moel Famau and the Clwydians. The Collective features:
Whilst installing ‘The Sisters’ in Ellesmere last June, Nick had this idea for a memorial to mark the impact of the Covid 19 pandemic. This is the mockup that we produced of his initial idea, ‘The Oracle,’ set against the beautiful backdrop of Ellesmere. He is now looking for a suitable site for this powerful piece.
At the time, Nick made this statement: “In the six years of the Second World War, the UK lost some 60,000 civilians to the conflict. We have lost the same number in 3 months, to this devastating virus.” Today, one year on, the total deaths in the UK have surpassed 152,000.
“After both world wars there was a need for memorials in almost every town and village, and I feel there’s a need for a place of focus and contemplation: As a response to the premature and unexpected loss of so many lives.”
‘The Dragon’ is intended to be a monumental steel drawing in space; the symbol of Welsh pride, through which (though not obscured by) the Castle ruins can be seen. A lasting, imposing trace of the weight of history. My desire is that they balance, and acknowledge that this is a nation for all its citizens.
‘The Dragon’ would be constructed by Flintshire steel companies. The image below gives an idea of the possible scale:
To show support for The Dragon, please contact Hannah Blythyn:
Hannah Blythyn, AM for Delyn: @HannahBlythynAM
Office Address: 38 Church Street, Flint, Flintshire, CH6 5AE
Assembly Address: National Assembly for Wales, Cardiff Bay, Cardiff, CF99 1NA
Phone: 0300 200 7132
Website (non-Assembly): http://www.hannahblythyn.wales
An original piece of mine is being considered for the Ellesmere Sculpture Trail, to commemorate the centenary of the ‘Save the Children’ charity – founded in 1919 by Eglantyne Jebb (an Ellesmere resident), with the support of sister Dorothy Buxton.
As Clare Mulley describes in her biography of Eglantyne Jebb, in April 1919, 2 women stood in Trafalgar Square: Eglantyne Jebb, and Barbara Ayrton Gould (young secretary of the Women’s League and a seasoned Suffragette).
They were distributing leaflets showing the ravages of famine on small children, the victims of war. Standing alone, these women attempted to appeal to the war weary, indifferent, and often hostile public, showing compassion for the displaced and starving children of Europe. Arrested later that day, Eglantyne would have depended on the support of her comrade.
The same bond existed with her remarkable sister Dorothy Buxton, as they spread their message through speaking tours of the influential drawing rooms of London. These women were able to achieve astonishing things because they stood shoulder to shoulder as sisters; and this is what I wish to acknowledge in my sculpture – to convey not how they would have looked, but how they felt.
As I began to research these remarkable women, I immediately knew the sculpture I wished to build. My sculptures are inspired by found natural forms that initially attract my attention: I have produced a series of initial studies, from forms found in the split kindling used for fire lighting. One of these (originally entitled ‘Twins’) is the basis for my proposed sculpture, ‘The Sisters.’
If commissioned, this sculpture will be built at approximately 2.3 metres in height, moulded and then cast in High Alumina Cement, in situ, by April 2020. This is the same process used to create my original work ‘Trilogy,’ as can be seen in my recent/ongoing posts and updates.
Following the cancellation of the ‘Iron Ring’ sculpture for Flint Castle, this is my proposal should such funding become available again. The sculpture is entitled ‘Silver Bird,’ and would be constructed in stainless steel tubing. It is derived from my original piece, ‘The Gull’ – development of which is visible on this site.
My intention is to have this sculpture built by – and with the backing of – one of the major Flint steel construction companies. The object of this would be to bring investment into Flint & Deeside, as opposed to it being outsourced.