The casting of the horse skull with fine artist Florence Bigglestone (@floss_art) continues: Following some subtle reinforcing and restoration, the skull (which has been named ‘Maximus’ – “Are you not entertained?”) has been clayed up, and the first caps of the piece mold are underway, in plaster.
We’ve been joined by Nick’s colleague, Tim Johnson, who has been assisting in documenting the process and working with Florence.
Posted in Events, Figurative sculptures, Working Process
Tagged Casting, Fine Art, Florence Bigglestone, Horse, mold making, Roman, Sculpture, Skull, studio
Nick is working with fine artist Florence Bigglestone (@floss_art) this month – safely and with social distancing – to restore and cast a horse’s skull. The cast skull, in plaster, will then be painted and embroidered by Florence to represent the history of chariot racing in Roman Chester. It will be exhibited in the Grosvenor Museum, Chester as part of an exhibition.
These photos show the beginning of the restoration and casting process.
You can check out more of Florence’s work on her Instagram.
Posted in Events, Figurative sculptures, Working Process
Tagged Casting, Chariot, Chester, Fine Art, Florence Bigglestone, Grosvenor Museum, Horse, Plaster, Roman, Sculpture, Skull, studio
1. Assistant Ewan, inscribing the template in the rain!
2. Construction of the armatures, prior to transportation to the barn studio for the next stage: Clay modelling, etc.
Posted in Abstract Sculptures, Working Process
Tagged armatures, assistant, barn, ellesmere, Ewan, studio, The Sisters
