The casting of the ‘Maximus’ horse skull with Florence Bigglestone (@floss_art) continues, safely and with social distancing): The most fragile areas of the skull are reinforced with clay and vinymold, to allow for clean de-molding of the caps without damage to the skull itself. The caps are then prepared in plaster.
‘Roman Remains’ – Stage 3
This entry was posted in Events, Figurative sculptures, Working Process and tagged Casting, Chariot, Chester, Fine Art, Florence Bigglestone, Grosvenor Museum, Horse, mold making, piece mold, Plaster, Roman, Sculpture, Skull, studio. Bookmark the permalink.
NICK EAMES 