The casting of the ‘Maximus’ horse skull with Florence Bigglestone (@floss_art) is now complete, and the piece will soon be displayed within the Grosvenor Museum, Chester – as part of an exhibition drawing inspiration from Roman chariot racing.
Final stage: Once the sculpture has been stained, gold leaf is applied to the raised filligree.
Posted in Events, Figurative sculptures, Working Process
Tagged Casting, Chester, Cilcain, Fine Art, Florence Bigglestone, Grosvenor Museum, Horse Skull, Maximus, mold making, nick eames, North Wales, sculptor, Sculpture
The casting of the ‘Maximus’ horse skull with Florence Bigglestone (@floss_art) continues, safely and with social distancing…
Part 1: Using dremels, drills, knives and files, fine detailing is added. The surface of the plaster cast skull is worked, filed, and sanded to a fine finish.
Part 2: The filligree molds are prepared, for the filligree designs to be cast onto the plaster skull.
Part 3: Once cast and set, the filligree designs are then worked over, for a fine finish. Soon, the gold leaf will be added.
Stay tuned for the next part of the process, as ‘Maximus’ nears completion…
Posted in Events, Figurative sculptures, Working Process
Tagged Art, Casting, Chariot, Chester, Cilcain, Fine Art, Florence Bigglestone, Grosvenor, Grosvenor Museum, Horse Skull, Maximus, mold making, nick eames, North Wales, Plaster, Roman, Sculpture, studio, Working studio
NICK EAMES 